How many artists today would willingly embark on a path so seemingly solitary as that followed by Klaus Friedeberger? Now in his ninth decade he continues to paint with little regard for the usual support network – the periodic exhibitions and moments of critical attention – often seen as vital to sustaining an artist’s career.

That it should have taken so long for this work to become even partially visible (with a selection of paintings from the last two decades currently on display at Delahunty Gallery) is due both to personal choice and life history. After arriving in the UK from Berlin in 1939, his life became that of a peripatetic exile, first interned in this country and then transported as an alien to Australia, where his art education continued erratically, initially under the guidance of fellow European refugees and then through exposure to the work of Nolan, Boyd and the ‘Angry Penguins’.

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